Masterful Marbling

I was looking for some new paper ideas for my Votive Workshop on June 17 when I came across Galen Berry's site. He is a master of the art of marbled paper. When I look at his results, it makes me wish for time to learn how to do everything! I used to do marbling with my students until we got in trouble with the district police chief whose office was next door to my classroom in an old instructional building. He didn't like the way the turpentine smelled. We were closed down by the law! But Galen Berry doesn't use turpentine - here are his general instructions and the results, seen in the amazing video, below.

A Short Description of the Marbling Process

1. Some alum is dissolved in water. This is sponged onto each paper to be marbled, and the paper is allowed to dry. The alum is what will bond the color to the paper.

2. A thick liquid, referred to as the size, is made by blending a type of gelatin (carrageenan) with water.

3. The size is poured into a shallow tray.

4. Several colors of ink or paint are sprinkled onto the surface of the size. They float on the surface because they are lighter than the thickened water.

5. A stick is used to stir the floating colors if desired. Various combs and rakes may also be run through the colors to make more intricate patterns.

6. A sheet of the alum-treated paper is gently laid onto the surface of the size, and it absorbs the floating colors. Only one print can be made.

7. The paper is lifted off, rinsed, and hung up to dry.  Fabric marbling is done the same way, except for step #1: Instead of sponging the alum onto the cloth, it is soaked in the alum water, then hung up to dry, then ironed flat. After that, it can be marbled just like a sheet of paper.